We’ve got an amazing feedback, we were not expecting that from the very first album, you know. What kind of feedback did you get so far and what kind of appraisal can you make about it? On March you’ve released your debut album, “Chapter I: Monarchy”. I don’t like to put ourselves out of the box, because we have influences from different genres and even not only metal, but yeah, we are four musicians playing symphonic metal and we’ve released our debut album in April this year! Of course! We are a symphonic, power metal band. Ok as you know we’re here today in order to talk about Ad Infinitum, so let’s break the ice: would you mind introducing the band for those who have not familiarity with you? Let’s do it! Thanks for the invitation! Thank you! Hi Melissa and welcome to Femme Metal! This is our very first interview, so I’m more than happy to host you here. We’ve managed to talk to Melissa about this matter, giving a great space to this very first concept album and to the related acoustic version, that is going to be released soon! Pandemic, indeed, is not only one of the many topics that Melissa had to deal with in this very first record, because 2020 was mainly ruined and devastated by this new century’s pandemic, COVID-19, that brought tons of bands to postpone or even cancel their own tours. The symphonic metal band led by the dynamic frontwoman Melissa Bonny (Rage Of Light, Serenity) introduces a concept album that thrust us out to 1347, to one of the most perilous historical periods of mankind, Black Death, a tough pandemic that hit Europe in that particular age. In an area of interest when, quite often, novelty lacks a lot and where’s tough to find even the smallest drop of inspiration, Swiss Ad Infinitum, one of the latest additions to Napalm Records’ roster, peeks out in the music panorama with the very first record, “Chapter I: Monarchy”.
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